TikTok-O-War

Here We Go Again…

All I ever knew about TikTok was that it was the app of choice for Adderall-popping zoomers to post their lipsyncing videos, videos reacting to lipsyncing videos, or videos of themselves “dancing” while lipsyncing to reaction videos.

These activities don’t interest me, and I’m especially not interested in sharing my mobile device’s photos and videos, browsing history, IMEI, Public IP, or any other information with the CCP.

So you can imagine my surprise when I received an email notification letting me know that my username had changed to [Redacted]x69. Of course, it would end in “x69”! What could be cooler and edgier than that?

Seeing how someone so thoughtfully decided to create an account for me using MY email address…again… I decided to log on. I didn’t remember the password, so I just used that handy little “Forgot Password” link and got myself logged back into my account.

It Just Keeps Getting Worse…

Unfortunately, it wouldn’t let me delete my account as I couldn’t provide the One-Time Password (OTP), which went to a mobile number I didn’t have access to. So, I decided to see what I could do on my account in the meantime!

To my surprise (and annoyance), someone had taken the time to upload many selfie lipsync videos. As I mentioned earlier, this isn’t my bag, so it all had to go. I could change some settings, such as changing the account from private to public, setting screen time limits for myself, and changing my profile pic and description. Here’s what I chose as my TikTok avatar, my “TikTokitar,” if you will:


This picture comes from a video of a talented barber with a penchant for setting his customers’ (victims?) hair on fire… I chose this because his facial expressions captured the gestalt and indescribable angst I feel when someone uses my email address to sign up for services because they can’t be bothered to spend 2-3 minutes creating their own.

I then uploaded things I was interested in, such as stock videos of grocery store meat, seafood, and fish markets.

Push Me, Shove You! Oh Yeah, Says Who?

Unfortunately, the fun didn’t last, and my anonymous benefactor decided to remove these videos and set my account back to ‘private.’ Although I could not unlink their mobile number from my account, I could (and did) change the associated email address.

For whatever reason, email address change OTPs go to the registered email address instead of the account’s linked phone number. Problem solved!

Epilogue

A few days later, I tried logging on but found my account locked! It was probably the result of an impersonation report I filed a few days earlier. Just as well, I was getting tired of this TikTok Tug-O-War… Tik-Tug-O-War?

The good news is that my email address is no longer associated with that (or any) TikTok account anymore, so that’s a win in my book!

…and now I’m Japanese!

In his book, God, No! Signs You May Be an Atheist and Other Magical Tales,  Penn Jillette fondly recalls the line, “And now I’m Japanese, so fuck off!” from the mid-80’s porno movie, New Wave Hookers as delivered by the late Jamie Gillis.

Unfortunately for Penn, nowhere in the movie does Jamie say this, or anything like it. What actually happens is that the “Vice Squad” busts in on Jimmy (Jamie Gillis) and his partner, Jamal Lincoln Bubba Washington to break up their “New Wave bitches” prostitution ring.

They confuse Jimmy with Jamal, at which point Jamal jumps up and runs off into the night in his fly, banana-yellow jumpsuit. Jimmy, in all his fo-punk glory, is left to deal with the two agents. What he says next is this:

“Hey, listen guys. Hey, I’m not Jamal, but listen, you take it from me. You’re smart enough to throw in with us, you can have any of these fuckin’ bitches you want, any fuckin’ day of the week you want. Get it guys? I mean, fuck it. Don’t you recognize me? I used to work in your fuckin’ office. And now, I’m rich, I’m satisfied, and I’m Chinese you assholes!”

Not quite the impassioned speech from Penn’s Clorox-scented memories, but there it is. Incidentally, this is all an inception-like shared dream between the two protagonists.

Does it really matter what Jamie (Jimmy?) said? Or is this just another manifestation of the Mandela Effect? Like the plastic-covered seats of a seedy porn theater from a bygone era, memories can be slippery.